Production companies get judged on capacity as much as creativity. A small team, a technically complex shoot, moving vehicles, demanding locations.
These things expose a crew fast. Most of the time, a client brief sets the conditions and you either rise to them or you don't.
But a lot of what we're capable of had never been put on screen, simply because no brief had asked for it yet. We weren't waiting around for that brief.
Remember Me was our statement of intent. Written, directed, and produced entirely in-house by a small team with zero client budget, we designed the project to force our own hand.
We bypassed the standard commercial constraints to tackle a complex emotional narrative and high-stakes technical setups, proving we could achieve top-tier production value on our own terms.
Every department, every decision, every shot was ours.
Proves total production capability from initial concept through direction, camera work, and final edit, executed efficiently without inflated crew sizes.
The moving-vehicle sequences now serve as a concrete reference point for clients who need absolute certainty that complex cinematic shots are within our reach.
As a portfolio piece, it operates entirely differently than a standard capabilities deck. It isn't just describing what our team can do, it's showing it.
| Production | Those Youngbloods |
| Production Assistant | Veronika Rehm |
| Talents | Charlotte Stoiber, Yamani Stambader |
| Doubles | Matthias Linkenbach, Fabienne Lengweiler |
| Assistants | Andreas Tröstler, Mariya Milusheva, Francesca Michaud, Moritz Wurm |
| Hair & Makeup | Melanie Daller |
| BTS Photography | Marc Finkmann, Zora Wurm |
